DAVID FRANCEY: So Say We All Review by Posted by: Stuart Derdeyn, The Province
Scottish-born Francey has built a deserved reputation as one of Canada’s
best singer’songwriters and he’s in particularly fine form on his ninth
album. Blessed with one of those haggard-and-seductive voices that
really gets under your skin, he covers a lot of ground – literally – on
this 14 song collection. From stays at a Cheap Motel to rolling down the
Long Long Road with Blue Skies, Blue Yonder and American Blues all
popping up, he observes on the little things that uplift a downtrodden
spirit time and time again. It’s a case of less-is-more in most of the
songs as he sticks to vocals and guitar with occasional mandolin or
banjo added in to keep as intimate as possible. Familiar though it may
sound, it never falls into cliche which is hard to do in this genre.
(April 30, 2013)
Check here for reviews and articles of David Francey and his work
Showing posts with label review. Show all posts
Showing posts with label review. Show all posts
Friday, September 27, 2013
David Francey So Say We All Review in Exclaim Magazine
By Kerry Doole
It
can be argued that David Francey has had more impact than any
old-school Canadian folk songsmith since the late great Stan Rogers. A
late bloomer, he has now released ten albums that have deservedly won
acclaim here (three Juno Awards) and beyond. So Say We All is one
of his very best; it finds him digging deep, mining themes of
depression, grief and unrequited love with genuine empathy. "These songs
encompass what proved [to be] a very difficult year," he writes in the
liner notes, though those tracks collected here range as far back as
1995. Some of the metaphors and locales (cheap motels, life as a road)
are well worn, but it's a testimony to Francey's skill and always
convincing vocal style that he can breathe new life into them. There is
astute social commentary in "American Blues" ("and we run in the shadow
of the power and the might") and "Bitterroot," but it's the songs forged
from the soul that hit hardest. The vocal-only "Blue Yonder" (featuring
Tannis Slimmon) and equally sparse closing title cut are amongst the
highlights. As ever, the best players surround Francey, including string
wizard Chris Coole, while the recording and mixing of Ken Friesen keep
the sound clean, but never slick. This is another winner.
Original article
Original article
Labels:
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Friday, April 20, 2007
More great reviews for Right of Passage
David FranceyRight of Passage (Laker Music)
A lot of musicians wax rhapsodic about the vagabond life; David Francey knows better. A Scottish native and Canadian immigrant, Francey has buttered his bread as a rail worker, a carpenter, an ore carrier shipmate, and a Yukon bush wrangler. He’s also won Juno Awards and has written some of the best songs you’ll ever hear. “Ballad of Bowser McCrae” and “Promised Land” are spirited sea song/Celtic hybrids; whereas “Their Wedding Day” and “Under the Portland Weather” are deeply personal observations wrapped in intimate folk melodies. “New Jerusalem” stops you in your tracks by cutting through the faux piety of murder in the name of Yahweh or Allah. Every song on this album tells you that David Francey is a plebeian poet who can make the prosaic sublime.— Rob Weir,
The Valley Advocate
David Francey
Right of Passage
Laker Music
I guess, at this point in David Francey’s stellar career, we are down to expecting near perfection delivered with each succeeding album. Well…Right of Passage delivers the proverbial goods once again. Twelve new songs and, unexpectedly, one lovely tune delivered superbly by Geoff Somers on fiddle and mandolin and Craig Werth on guitar and bouzouki. David lends a hand, by droning the shruti box.
The songs range from a lovely portrait of one Bowser MacRae, the third mate on an Algoma Central ore carrier, to a song inspired from the TV news coverage of the Middle East. All are extremely well crafted from this observant, slightly melancholic, and gentle man. He sings from the heart, and the arrangements are simple but effective. I particularly liked Stone Town a portrait of Quebec City in the rain. I’ve been in Quebec City in the rain and he nails it.
So, all in all, another terrific effort from Mr. Francey. Did you really expect anything different? Les Siemieniuk, Penguin Eggs
A lot of musicians wax rhapsodic about the vagabond life; David Francey knows better. A Scottish native and Canadian immigrant, Francey has buttered his bread as a rail worker, a carpenter, an ore carrier shipmate, and a Yukon bush wrangler. He’s also won Juno Awards and has written some of the best songs you’ll ever hear. “Ballad of Bowser McCrae” and “Promised Land” are spirited sea song/Celtic hybrids; whereas “Their Wedding Day” and “Under the Portland Weather” are deeply personal observations wrapped in intimate folk melodies. “New Jerusalem” stops you in your tracks by cutting through the faux piety of murder in the name of Yahweh or Allah. Every song on this album tells you that David Francey is a plebeian poet who can make the prosaic sublime.— Rob Weir,
The Valley Advocate
David Francey
Right of Passage
Laker Music
I guess, at this point in David Francey’s stellar career, we are down to expecting near perfection delivered with each succeeding album. Well…Right of Passage delivers the proverbial goods once again. Twelve new songs and, unexpectedly, one lovely tune delivered superbly by Geoff Somers on fiddle and mandolin and Craig Werth on guitar and bouzouki. David lends a hand, by droning the shruti box.
The songs range from a lovely portrait of one Bowser MacRae, the third mate on an Algoma Central ore carrier, to a song inspired from the TV news coverage of the Middle East. All are extremely well crafted from this observant, slightly melancholic, and gentle man. He sings from the heart, and the arrangements are simple but effective. I particularly liked Stone Town a portrait of Quebec City in the rain. I’ve been in Quebec City in the rain and he nails it.
So, all in all, another terrific effort from Mr. Francey. Did you really expect anything different? Les Siemieniuk, Penguin Eggs
Labels:
David Francey,
music,
review,
Right of Passage
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